Verner Panton

1.600

Une paire de lampadaires Panthella

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Description du produit

Verner Panton (1926 – 1998)

Une paire de lampadaires Panthella

Acrylique blanc opale, métal et matière plastique

H: 121cm Dia: 50cm

Louis Poulsen, Danemark, années 1970

 

Le Panthella de Verner Panton, conçue en 1971, est l’un de ses modèles les plus populaires. Son intention était de créer une lampe où à la fois le pied et l’abat-jour serviraient de reflecteur de lumière. La source lumineuse est cachée sous un abat-jour hémisphérique et une base en forme de trompette de couleur blanche. De cette façon, il crée une belle répartition de la lumière et une forme bien équilibrée.

L’abat-jour est réalisé en acrylique, la base en acier laqué blanc et matière plastique.

Plusieurs versions ont été produites durant les premières années, mais la Panthella blanche est la seule édition qui soit encore en production.

 

Verner Panton

Verner Panton (1926 – 1998) is considered one of Denmark's most influential 20th-century furniture and interior designers. During his career, he created innovative and futuristic designs in a variety of materials, especially plastics, and in vibrant and exotic colors. His style was very "1960s" but regained popularity at the end of the 20th century, Panton's most well-known furniture models are still in production (at Vitra, among others).

Panton studied architecture at the Royal Danish Academy of Art in Copenhagen. During the first two years of his career, 1950–1952, he worked at the architectural practice of Arne Jacobsen, another Danish architect and furniture designer. Panton turned out to be an "enfant terrible" and he started his own design and architectural office. He became well known for his innovative architectural proposals. Near the end of the 1950s, his chair designs became much more unconventional, with no legs or discernible back. In 1960 Panton was the designer of the very first single-form injection-moulded plastic chair. The Stacking chair or S chair, became his most famous and mass-produced design resulting organic shapes inspired by the human body requirements, the tongue.

In the late 1960s and early 1970s, Verner Panton experimented with designing entire environments: radical and psychedelic interiors that were an ensemble of his curved furniture, wall upholstering, textiles and lighting.

Additionally, Panton is well known for his innovative design work for Der Spiegel, a well-known German publication in Hamburg.